KRISHNA SHASTRY A.R., 1890-1968
Ambale Ramakrishnashastry Krishna Shastry (ಅಂಬಳೆ ರಾಮಕೃಷ್ಣಶಾಸ್ತ್ರೀ
ಕೃಷ್ಣಶಾಸ್ತ್ರೀ) is one of the most respected figures in the renaissance
of modern Kannada that was witnessed during the early decades of twentieth century.
His erudition, modernity of outlook and critical acumen were invaluable at that
juncture and his writings which were prolific and of high quality are admired even
to this day. He was a scholar, literary critic, linguist, biographer, journalist
all rolled in to one. The fact that he could do justice to each one of these endeavors
while pursuing a full fledged teaching career speaks volumes about his capacity
for hard work and commitment to the chosen cause. In addition to all this, he took
up the responsibility of fostering young writers by starting ‘Prabuddha Karnataka’
a quarterly journal in Kannada.
A.R.K. was born in
He was appointed as a lecturer in Kannada at
He was transferred to the Oriental Library at
The contribution of A.R.K. to Kannada literature and
scholarship has to be enumerated in different categories.
1.
Keladi
Nrupa Vijayam by Linganna (assisted R.Shamashastry)
2.
Dharmamritam
by Nayasena (assisted R. Shama Shastry),
1924, 26
3.
Harishchandra
Kavya Sangraha by Raghavanka (With T.S.V.) 1931
4.
Kavijihvabandhanam
by Eshvara Kavi 1952
1.
Naga
Mahashaya 1939
2.
Nibandha
Malaa 1963
3.
Sri
Ramakrishna Paramahamsara Charitre (With T.S. Venkannaiah) 1917
4.
Swami
Shishya Samvada (With T.S. Venkannaiah) 1923
3.
Original Works:
1. Samskrita
Nataka
1937
2. Bankimachandra 1960
3. Sarvajna 1948
4. Vachana Bharatha
(Based on Vyasa Bharatha) 1950
5. Kathamritha
(Based on Katha Saritsagara) 1952
6. Nirmala Bharathi
(For Children) 1960
7. Sripathiya Kathegalu (Short Stories)
1948
8. Bhashanagalu
mattu Lekhanagalu
1948, 1949
9. Kannada Kaipidi,
Part 1, Kavya Lakshana
1927
A detailed review of all these works is not possible
in this context. It will suffice to say that every one of them has survived to this
day. He was one of the makers of Modern Kannada Prose. Generations of readers were
introduced to chaste and standard Kannada by Vachana Bharatha and Kathamritha. It
is said that a book like ‘Bankimachandra’ does not exist even in Bengali. ‘Samskritha
Nataka’ is informative, analytical and critical all at once. He has written a couple
of stories that are anthlogised even to this day. His critical review of ‘Tollugatti’
raised some seminal questions. Prabuddha Karnataka was virtually the cradle of creative
literature, criticism and research in the first half of the twentieth century.
Krishna Shastry won the